“ The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz” (Nadin Mai 2014). “ Pour un cinéma contemporain soustractif” (Antony Fiant June 2014).“ Realism of the senses: a tendency in contemporary world cinema” (Tiago Magalhães De Luca 2011) on Reygadas, Tsai Mingliang, Gus Van Sant.“ Quattro Volte (critique contemplative)” 1- 2- 3- 4- 5- 6- 7 (HarryTuttle Unspoken Cinema Jan 2011).“ Meditation mode? (bore)” (HarryTuttle Unspoken Cinema July 2010).“ Oversparse” (HarryTuttle Unspoken Cinema June 2010).“Slower or Contemplative?” (HarryTuttle Unspoken Cinema March 2010).“CCC timeline 2008” (HarryTuttle Unspoken Cinema 6 July 2008).“ Le Temps au cinéma / Turbulence and Flow : The Rhythmic Design” (Yvette Biró, 2007) excerpt here / reviews / comment.“Minimum Profile” (HarryTuttle Unspoken Cinema 18 January 2007).“The Fullness of Minimalism” (Yvette Bíró Rouge #9, 2006).“ Des films Gueule de bois - notes sur le mutisme dans le cinéma contemporain” (Antony Fiant Trafic #50, été 2004) excerpt here.“ Are you sitting comfortably?” (Jonathan Romney The Guardian ) comments.“Vers une esthétique du vide au cinéma” (José Moure, 1997).“ The Aesthetics of Silence” (Susan Sontag Styles of Radical Will 1994) excerpts here.“Cinema 2 : Image-Temps” (Gilles Deleuze, 1985) excerpts commented.“Cinema 1 : Image-Mouvement ” (Gilles Deleuze, 1983).Specific analysis to explicit the contemplative aspect in cinema
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